Emile Wetterlé was an Alsatian nationalist whom wrote a book concerning his 16 years in the Reichstag from 1898 called: Behind the Scenes of the Reichstag. The book is something of a war-time hit piece written before Wetterlé would take up time in the parliament of the French Third Republic. Despite these biases, oftentimes the criticisms of Imperial Germany given by Wetterlé are feelings shared by Germans themselves. Such as his criticisms of Berlin as, “a very ugly city.” This leads to his analysis of the Reichstag building itself. In spite of its war-torn sleek look today, the Reichstag was a sea of orientation when new: ““There is a bewildering excess of wainscoting, bas-reliefs, statues, frescos, and stained glass windows.” One can find little Imperial crowns dotted about on chandeliers, neo-renassiance towers and on a “thickset” Germania. The building was so richly ornamented that they ran out of Imperial imagery, hence why Emile must ask himself: “What, indeed, are those huge stained-glass windows which remind us of the gallant adventures of Romeo and Juliet, and the tragic destiny of Othello and Desdemona, doing there?” Though, amongst his criticisms of the Reichstag structure comes an particular event of Imperial compromise. Apart of his critique of the structure includes a “powerful stone lion, rampant, holding under its left paw a ball of which one could read the words ‘Elass-Lothringen'” (The German for Alsace-Lorraine). Wetterlé claimed that this was a “humiliating symbol” that they the Alsatian representatives had asked “several times” to remove. Wetterlé, however, then immediately describes a scenario in 1906 where a massive painting of Wilhelm I trampling with his horse a flag of France in the Reichstag Plenary Hall became a source of controversy. A Centre Party representative, Prince von Arenberg, thought the painting portrayed, “an insult to France [that] was too indecent.” Despite that the painting was, allegedly a, “source of constant joy to the Prussian Conservatives,” it was removed from the Plenary Hall of the Reichstag and moved to where the Budget Committee sat. This was in a Germany that was molded by Bismarck for the purposes of Prussian hegemony and a parliament molded for Prussian conservative control. Yet, in this scenario, there is presented the reality that Germany was also a state built upon compromise and unity. The push for Prussian hegemony by 1906 had fallen and the push for the Imperial Project had won out. Imperial Germany was not merely a state dedicated to Prussian Junkers. Even in this tiny little controversy comes the sense to find compromise for the Imperial project.
Clark, Christopher M. Iron Kingdom: The Rise and Downfall of Prussia, 1600-1947. Cambridge, MA: Belknap Press of Harvard University Press, 2006.
WETTERLE, EMILE. BEHIND THE SCENES IN THE REICHSTAG: Sixteen Years of Parliamentary Life in Germany. FORGOTTEN Books, 2015.